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Synthetic human-like fakes: Difference between revisions
→1990's synthetic human-like fakes: + In 2016 w:Hao Li was appointed to direct the institute
Juho Kunsola (talk | contribs) (→1990's: + 1990 | music (video) | w:Daydreaming (Massive Attack song) by w:Massive Attack) |
Juho Kunsola (talk | contribs) (→1990's synthetic human-like fakes: + In 2016 w:Hao Li was appointed to direct the institute) |
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* <font color="red">'''1999'''</font> | <font color="red">'''science'''</font> | '''[http://dl.acm.org/citation.cfm?id=344855 'Acquiring the reflectance field of a human face' paper at dl.acm.org ]''' [[w:Paul Debevec]] et al. of [[w:University of Southern California|USC]] did the '''first known reflectance capture''' over '''the human face''' with their extremely simple [[w:light stage]]. They presented their method and results in [[w:SIGGRAPH]] 2000. The scientific breakthrough required finding the [[w:subsurface scattering|w:subsurface light component]] (the simulation models are glowing from within slightly) which can be found using knowledge that light that is reflected from the oil-to-air layer retains its [[w:Polarization (waves)]] and the subsurface light loses its polarization. So equipped only with a movable light source, movable video camera, 2 polarizers and a computer program doing extremely simple math and the last piece required to reach photorealism was acquired.<ref name="Deb2000"/> | * <font color="red">'''1999'''</font> | <font color="red">'''science'''</font> | '''[http://dl.acm.org/citation.cfm?id=344855 'Acquiring the reflectance field of a human face' paper at dl.acm.org ]''' [[w:Paul Debevec]] et al. of [[w:University of Southern California|USC]] did the '''first known reflectance capture''' over '''the human face''' with their extremely simple [[w:light stage]]. They presented their method and results in [[w:SIGGRAPH]] 2000. The scientific breakthrough required finding the [[w:subsurface scattering|w:subsurface light component]] (the simulation models are glowing from within slightly) which can be found using knowledge that light that is reflected from the oil-to-air layer retains its [[w:Polarization (waves)]] and the subsurface light loses its polarization. So equipped only with a movable light source, movable video camera, 2 polarizers and a computer program doing extremely simple math and the last piece required to reach photorealism was acquired.<ref name="Deb2000"/> | ||
* <font color="red">'''1999'''</font> | <font color="red">'''institute founded'''</font> | The '''[[w:Institute for Creative Technologies]]''' was founded by the [[w:United States Army]] in the [[w:University of Southern California]]. It collaborates with the [[w:United States Army Futures Command]], [[w:United States Army Combat Capabilities Development Command]], [[w:Combat Capabilities Development Command Soldier Center]] and [[w:United States Army Research Laboratory]].<ref name="ICT-about">https://ict.usc.edu/about/</ref> | * <font color="red">'''1999'''</font> | <font color="red">'''institute founded'''</font> | The '''[[w:Institute for Creative Technologies]]''' was founded by the [[w:United States Army]] in the [[w:University of Southern California]]. It collaborates with the [[w:United States Army Futures Command]], [[w:United States Army Combat Capabilities Development Command]], [[w:Combat Capabilities Development Command Soldier Center]] and [[w:United States Army Research Laboratory]].<ref name="ICT-about">https://ict.usc.edu/about/</ref>. In 2016 [[w:Hao Li]] was appointed to direct the institute. | ||
* '''1994''' | movie | [[w:The Crow (1994 film)|The Crow]] was the first film production to make use of [[w:digital compositing]] of a computer simulated representation of a face onto scenes filmed using a [[w:body double]]. Necessity was the muse as the actor [[w:Brandon Lee]] portraying the protagonist was tragically killed accidentally on-stage. | * '''1994''' | movie | [[w:The Crow (1994 film)|The Crow]] was the first film production to make use of [[w:digital compositing]] of a computer simulated representation of a face onto scenes filmed using a [[w:body double]]. Necessity was the muse as the actor [[w:Brandon Lee]] portraying the protagonist was tragically killed accidentally on-stage. | ||