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Glossary: Difference between revisions
definition of '''w:Audio forensics''' as a {{Q}} It is the field of w:forensic science relating to the acquisition, analysis, and evaluation of w:sound recordings that may ultimately be presented as admissible evidence in a court of law or some other official venue + <ref group="permalink">
Juho Kunsola (talk | contribs) (mentioning in 'Media forensics' that there is w:audio forensics) |
Juho Kunsola (talk | contribs) (definition of '''w:Audio forensics''' as a {{Q}} It is the field of w:forensic science relating to the acquisition, analysis, and evaluation of w:sound recordings that may ultimately be presented as admissible evidence in a court of law or some other official venue + <ref group="permalink">) |
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= Appearance and voice theft = | = Appearance and voice theft = | ||
Appearance is thieved with [[digital look-alikes]] and voice is thieved with [[digital sound-alikes]]. These are new and very extreme forms of identity theft. Ban covert modeling and possession and doing anything with a model of a human's voice, but don't ban the [[Adequate Porn Watcher AI (concept)]]. | Appearance is thieved with [[digital look-alikes]] and voice is thieved with [[digital sound-alikes]]. These are new and very extreme forms of identity theft. Ban covert modeling and possession and doing anything with a model of a human's voice, but don't ban the [[Adequate Porn Watcher AI (concept)]]. | ||
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= Audio forensics = | |||
{{Q|'''[[w:Audio forensics]]''' is the field of [[w:forensic science]] relating to the acquisition, analysis, and evaluation of [[w:sound recording]]s that may ultimately be presented as admissible evidence in a court of law or some other official venue.<ref>{{cite web|url=http://www.soundonsound.com/sos/jan10/articles/forensics.htm|title=An Introduction To Forensic Audio|author=Phil Manchester|date=January 2010|publisher=Sound on Sound}}</ref><ref name=maherieee2009>{{cite journal|last=Maher|first=Robert C.|title=Audio forensic examination: authenticity, enhancement, and interpretation|journal=IEEE Signal Processing Magazine|volume=26|issue=2|pages=84–94|date=March 2009|doi=10.1109/msp.2008.931080|s2cid=18216777}}</ref><ref name=gelfandwired2007>{{cite web|url=https://www.wired.com/science/discoveries/news/2007/10/audio_forensics |title=Audio Forensics Experts Reveal (Some) Secrets |date=10 October 2007 |author=Alexander Gelfand |publisher=Wired Magazine |url-status=dead |archiveurl=https://web.archive.org/web/20120408153708/http://www.wired.com/science/discoveries/news/2007/10/audio_forensics |archivedate=2012-04-08 }}</ref><ref name=":0">{{Cite book |last=Maher |first=Robert C. |title=Principles of forensic audio analysis |publisher=Springer |year=2018 |isbn=9783319994536 |location=Cham, Switzerland |pages= |oclc=1062360764}}</ref>|Wikipedia|[[w:Audio forensics]]<ref group="permalink">https://en.wikipedia.org/w/index.php?title=Audio_forensics&oldid=1096442057 loaned on Friday 2022-10-21</ref>}} | |||
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