Mediatheque

2020's

2020

w:Maeil Broadcasting Network in South Korea published an AI news anchor in November 2020 made in conjunction with MoneyBrain. You can enable YouTube auto-generated English subtitles by enabling closed captioning (cc) and then clicking on the setting icon on the video control bar.

It is recommended that you watch In Event of Moon Disaster - FULL FILM (2020) at the moondisaster.org project website (where it has interactive portions) by the Center for Advanced Virtuality of the w:MIT

2010's

2019

'Face editing with Generative Adversarial Networks' by Arxiv Insights on YouTube] Premiered 2019-09-13

2018

An April 2018 digital look-and-sound-alike made of President Obama, uploaded by BuzzFeedVideo

Video 'This AI Clones Your Voice After Listening for 5 Seconds' by '2 minute papers' describes the voice thieving machine by Google Research in w:NeurIPS 2018.

'Simulation Theory' album by Muse on Youtube 'the w:Simulation Theory (album)' album by w:Muse (band) from 2018. Obs. This album collection contains songs not on the LP

2016

#w:Adobe Voco. Adobe Audio Manipulator Sneak Peak with w:Jordan Peele (at Youtube.com). November 2016 demonstration of a Adobe's unreleased sound-like-anyone-machine, the w:Adobe Voco at the w:Adobe MAX 2016 event in w:San Diego, w:California. The original Adobe Voco required 20 minutes of sample to thieve a voice.

Music video for 'Voodoo In My Blood' by w:Massive Attack and featuring w:Tricky from the album w:Ritual Spirit from 2016.

Music video for 'w:The Spoils (song)' by w:Massive Attack featuring w:Hope Sandoval from 2016.

2013

Music video for 'In Two' by the Nine Inch Nails (lyric video) on Youtube] by w:Nine Inch Nails from the album w:Hesitation Marks from 2013.

Music video for 'Copy of A' by the Nine Inch Nails (lyric video) on Youtube] by w:Nine Inch Nails from the album w:Hesitation Marks from 2013.

Music video for 'Before Your Very Eyes' by w:Atoms for Peace (band) from their album w:Amok (Atoms for Peace album). This 2013 video was made by Andrew Thomas Huang

2000's

2006

Music video for 'John The Revelator' by w:Depeche Mode from the single w:John the Revelator / Lilian. from 2006.

2005

Music video 'w:Only (Nine Inch Nails song)' by the w:Nine Inch Nails from 2005.

A short film 'Doll Face' by Andrew Thomas Huang (.com). There are various unofficial videos using 'Doll Face' as graphics, but with different music. from 2005.

2002

Music video for Bullet by w:Covenant from 2002. Here you can observe the classic "skin looks like cardboard"-bug that stopped the pre-reflectance capture era versions from passing human testing.

2001

'Evolution Revolution Love' by w:Tricky (musician) from the w:Blowback (album) and featuring w:Ed Kowalczyk from 2001.

'w:Plug In Baby' by w:Muse (band) from their album w:Origin of Symmetry from 2001.

1990's

1999

Music video for w:Windowlicker by w:Aphex Twin from 1999.

Music video for 'w:Superbeast', a w:promotional single from w:Rob Zombie's solo debut, w:Hellbilly Deluxe from 1999.

1998

Music video for 'New Model No. 15' by w:Marilyn Manson (band) from the album w:Mechanical Animals from 1998.

Music video for 'w:The Dope Show' by w:Marilyn Manson (band) from the album w:Mechanical Animals from 1998.

Music video for 'w:Rabbit in You Headlights' by w:Unkle and featuring w:Thom Yorke on the lyrics from 1998.

1997

Music video for w:Come to Daddy (song) by w:Aphex Twin from 1997.

1996

Music video for 'Dead Cities' by w:The Future Sound of London is the title track from the 1996 album w:Dead Cities (album) from 1996.

1990

Music video for 'w:Daydreaming (Massive Attack song)' by w:Massive Attack} from 1990

1980's

1986

Music video for 'w:Paranoimia' by w:Art of Noise featuring a synthetic human-like character, w:Max Headroom from the 1986 album w:In Visible Silence

1983

Music video for w:Musique Non-Stop by w:Kraftwerk from album w:Electric Café. The music video was made in 1983, but published only in in 1986.

1970's

1972

w:A Computer Animated Hand is a 1972 short film by w:Edwin Catmull and w:Fred Parke. This was the first time that w:computer-generated imagery was used in film to animate likenesses of moving human appearance.