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Glossary: Difference between revisions
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= Digital look-alike = | = Digital look-alike = | ||
When the camera does not exist, but the subject being imaged with a simulation of a (movie) camera deceives the watcher to believe it is some living or dead person it is a '''[[digital look-alikes|digital look-alike]]'''. | When the [[#No camera|camera does not exist]], but the subject being imaged with a simulation of a (movie) camera deceives the watcher to believe it is some living or dead person it is a '''[[digital look-alikes|digital look-alike]]'''. Alternative term is '''''look-like-anyone-machine'''''. | ||
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= Digital sound-alike = | = Digital sound-alike = | ||
When it cannot be determined by human testing, is some synthesized recording a simulation of some person's speech, or is it a recording made of that person's actual real voice, it is a '''[[digital sound-alikes|digital sound-alike]]'''. | When it cannot be determined by human testing, is some synthesized recording a simulation of some person's speech, or is it a recording made of that person's actual real voice, it is a pre-recorded '''[[digital sound-alikes|digital sound-alike]]'''. Alternative term is '''''sound-like-anyone-machine'''''. | ||
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{{Q|'''Human image synthesis''' can be applied to make believable and even [[w:photorealism|photorealistic]] of human-likenesses, moving or still. This has effectively been the situation since the early [[w:2000s (decade)|2000s]]. Many films using [[w:computer generated imagery|computer generated imagery]] have featured synthetic images of human-like characters [[w:digital compositing|digitally composited]] onto the real or other simulated film material.|Wikipedia|[[w:Human image synthesis|Human image syntheses]]}} | {{Q|'''Human image synthesis''' can be applied to make believable and even [[w:photorealism|photorealistic]] of human-likenesses, moving or still. This has effectively been the situation since the early [[w:2000s (decade)|2000s]]. Many films using [[w:computer generated imagery|computer generated imagery]] have featured synthetic images of human-like characters [[w:digital compositing|digitally composited]] onto the real or other simulated film material.|Wikipedia|[[w:Human image synthesis|Human image syntheses]]}} | ||
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= Institute for Creative Technologies = | = Institute for Creative Technologies = | ||
The '''[[w:Institute for Creative Technologies|Institute for Creative Technologies]]''' was founded in 1999 in the [[w:University of Southern California|University of Southern California]] by the [[w:United States Army|United States Army]]. It collaborates with the [[w:United States Army Futures Command]], [[w:United States Army Combat Capabilities Development Command]], [[w:Combat Capabilities Development Command Soldier Center]] and [[w:United States Army Research Laboratory]]. | The '''[[w:Institute for Creative Technologies|Institute for Creative Technologies]]''' was founded in 1999 in the [[w:University of Southern California|University of Southern California]] by the [[w:United States Army|United States Army]]. It collaborates with the [[w:United States Army Futures Command]], [[w:United States Army Combat Capabilities Development Command]], [[w:Combat Capabilities Development Command Soldier Center]] and [[w:United States Army Research Laboratory]]. | ||
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= Reflectance capture = | = Reflectance capture = | ||
'''Reflectance capture''' is made by measuring the reflected light for each incoming light direction and every exit direction, often with many different wavelengths. Using polarisers allow to separately capture the specular and the diffuse reflected light. The first known reflectance capture over the human face was made in 1999 by Paul Debevec et al at the [[w:University of Southern California]]. | '''Reflectance capture''' is made by measuring the reflected light for each incoming light direction and every exit direction, often with many different wavelengths. Using polarisers allow to separately capture the specular and the diffuse reflected light. The first known reflectance capture over the human face was made in 1999 by Paul Debevec et al at the [[w:University of Southern California]]. | ||
As of 2020-11-19 Wikipedia does not have an article on '''reflectance capture'''. | |||
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= Relighting = | = Relighting = | ||
[[File:Deb2000-relighting-low-res-cropped.png|thumb|right|420px|Each image images a face in synthesized lighting. The lower images represent the captured illumination map. The images are generated taking a dot product of each pixel’s reflectance function with the illumination map.<br /><br /> | [[File:Deb2000-relighting-low-res-cropped.png|thumb|right|420px|Each image images a face in synthesized lighting. The lower images represent the captured illumination map. The images are generated taking a dot product of each pixel’s reflectance function with the illumination map.<br /><br /> | ||
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'''Relighting''' means applying a completely different [[w:lighting]] situation to an image or video which has already been imaged. As of 2020-09 the English Wikipedia does not have an article on relighting. | '''Relighting''' means applying a completely different [[w:lighting]] situation to an image or video which has already been imaged. As of 2020-09 the English Wikipedia does not have an article on relighting. | ||
As of 2020-11-19 Wikipedia does not have an article on '''relighting'''. | |||
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