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Synthetic human-like fakes: Difference between revisions
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→1990's synthetic human-like fakes: + <ref name="Bregler1997"> {{cite journal}}
Juho Kunsola (talk | contribs) m (Text replacement - "Laws against synthesis and related crimes" to "Laws against synthesis and other related crimes") |
Juho Kunsola (talk | contribs) (→1990's synthetic human-like fakes: + <ref name="Bregler1997"> {{cite journal}}) |
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== 2020's synthetic human-like fakes == | == 2020's synthetic human-like fakes == | ||
[[File:Appearance of Queen Elizabeth II stolen by Channel 4 in Dec 2020 (screenshot at 191s).png|thumb|right|480px|In Dec 2020 Channel 4 aired a Queen-like fake i.e. they had thieved the appearance of Queen Elizabeth II using deepfake methods.]] | [[File:Appearance of Queen Elizabeth II stolen by Channel 4 in Dec 2020 (screenshot at 191s).png|thumb|right|480px|In Dec 2020 Channel 4 aired a Queen-like fake i.e. they had thieved the appearance of Queen Elizabeth II using deepfake methods.]] | ||
* '''2022''' | '''<font color="green">counter-measure</font>''' | [https://arxiv.org/pdf/2206.12043.pdf '''Protecting President Zelenskyy against deep fakes''' a 2022 preprint at arxiv.org] by Matyáš Boháček of Johannes Kepler Gymnasium and [[w:Hany Farid]], the dean and head of of [[w:University of California, Berkeley School of Information|w:Berkeley School of Information at the University of California, Berkeley]]. This brief paper describes their automated digital look-alike detection system and evaluate its efficacy and reliability in comparison to humans with untrained eyes. Their work provides automated evaluation tools to catch so called "deep fakes" and their motivation seems to have been to find automation armor against disinformation warfare against humans and the humanity. Automated digital [[Glossary#Media forensics|media forensics]] is a very good idea explored by many. Boháček and Farid 2022 detection system works by evaluating both facial mannerisms as well as gestural mannerisms to detect the non-human ones from the ones that are human in origin. | |||
* '''2021''' | Science and demonstration | In the NeurIPS 2021 held virtually in December researchers from Nvidia and [[w:Aalto University]] present their paper [https://nvlabs.github.io/stylegan3/ '''''Alias-Free Generative Adversarial Networks (StyleGAN3)''''' at nvlabs.github.io] and associated [https://github.com/NVlabs/stylegan3 implementation] in [[w:PyTorch]] and the results are deceivingly human-like in appearance. [https://nvlabs-fi-cdn.nvidia.com/stylegan3/stylegan3-paper.pdf StyleGAN3 paper as .pdf at nvlabs-fi-cdn.nvidia.com] | * '''2021''' | Science and demonstration | In the NeurIPS 2021 held virtually in December researchers from Nvidia and [[w:Aalto University]] present their paper [https://nvlabs.github.io/stylegan3/ '''''Alias-Free Generative Adversarial Networks (StyleGAN3)''''' at nvlabs.github.io] and associated [https://github.com/NVlabs/stylegan3 implementation] in [[w:PyTorch]] and the results are deceivingly human-like in appearance. [https://nvlabs-fi-cdn.nvidia.com/stylegan3/stylegan3-paper.pdf StyleGAN3 paper as .pdf at nvlabs-fi-cdn.nvidia.com] | ||
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* <font color="red">'''1999'''</font> | <font color="red">'''institute founded'''</font> | The '''[[w:Institute for Creative Technologies]]''' was founded by the [[w:United States Army]] in the [[w:University of Southern California]]. It collaborates with the [[w:United States Army Futures Command]], [[w:United States Army Combat Capabilities Development Command]], [[w:Combat Capabilities Development Command Soldier Center]] and [[w:United States Army Research Laboratory]].<ref name="ICT-about">https://ict.usc.edu/about/</ref>. In 2016 [[w:Hao Li]] was appointed to direct the institute. | * <font color="red">'''1999'''</font> | <font color="red">'''institute founded'''</font> | The '''[[w:Institute for Creative Technologies]]''' was founded by the [[w:United States Army]] in the [[w:University of Southern California]]. It collaborates with the [[w:United States Army Futures Command]], [[w:United States Army Combat Capabilities Development Command]], [[w:Combat Capabilities Development Command Soldier Center]] and [[w:United States Army Research Laboratory]].<ref name="ICT-about">https://ict.usc.edu/about/</ref>. In 2016 [[w:Hao Li]] was appointed to direct the institute. | ||
* '''1997''' | '''technology / science''' | [https://www2.eecs.berkeley.edu/Research/Projects/CS/vision/human/bregler-sig97.pdf ''''Video rewrite: Driving visual speech with audio'''' at www2.eecs.berkeley.edu]<ref name="Bregler1997"> | |||
{{cite journal | |||
| last1 = Bregler | |||
| first1 = Christoph | |||
| last2 = Covell | |||
| first2 = Michele | |||
| last3 = Slaney | |||
| first3 = Malcolm | |||
| date = 1997-08-03 | |||
| title = Video Rewrite: Driving Visual Speech with Audio | |||
| url = https://www2.eecs.berkeley.edu/Research/Projects/CS/vision/human/bregler-sig97.pdf | |||
| journal = SIGGRAPH '97: Proceedings of the 24th annual conference on Computer graphics and interactive techniques | |||
| volume = | |||
| issue = | |||
| pages = 353-360 | |||
| doi = 10.1145/258734.258880 | |||
| access-date = 2022-09-09 | |||
}} | |||
</ref><ref group="1st seen in" name="Bohacek-Farid-2022"> | |||
PROTECTING PRESIDENT ZELENSKYY AGAINST DEEP FAKES https://arxiv.org/pdf/2206.12043.pdf | |||
</ref> Christoph Breigler, Michelle Covell and Malcom Slaney presented their work at the ACM SIGGRAPH 1997. [https://www.dropbox.com/sh/s4l00z7z4gn7bvo/AAAP5oekFqoelnfZYjS8NQyca?dl=0 Download video evidence of ''Video rewrite: Driving visual speech with audio'' Bregler et al 1997 from dropbox.com], [http://chris.bregler.com/videorewrite/ view author's site at chris.bregler.com], [https://dl.acm.org/doi/10.1145/258734.258880 paper at dl.acm.org] [https://www.researchgate.net/publication/220720338_Video_Rewrite_Driving_Visual_Speech_with_Audio paper at researchgate.net] | |||
* '''1994''' | movie | [[w:The Crow (1994 film)]] was the first film production to make use of [[w:digital compositing]] of a computer simulated representation of a face onto scenes filmed using a [[w:body double]]. Necessity was the muse as the actor [[w:Brandon Lee]] portraying the protagonist was tragically killed accidentally on-stage. | * '''1994''' | movie | [[w:The Crow (1994 film)]] was the first film production to make use of [[w:digital compositing]] of a computer simulated representation of a face onto scenes filmed using a [[w:body double]]. Necessity was the muse as the actor [[w:Brandon Lee]] portraying the protagonist was tragically killed accidentally on-stage. | ||